bartholomew, sophia

Teknikk
diverse

Artist statement

- Åpent atelier lør 19.september 2026 -

Studio 1

I am a Canadian artist attending an artist residency at USF Verftet from August 25–September 30, 2026. Over the last fifteen years I have developed an exploratory, interdisciplinary practice, making work that is informed by my lived experience of fragility, permeability, porosity, and impermanence, following a near-death accident and hospitalization. In the last decade, my material sensibility has been informed by the time I spent living on a rural property with my maternal family, where I learned to apply practices of saving, salvaging, sorting, piling, repairing, and remaking to my studio work. My most recent work uses photography, installation, and collaborative work with other artists to articulate embodied experiences of presence, absence, fracture, and loss.

Besøksadresse
Georgernes Verft 12
5011 Bergen

Kontakt
E-postadresse: bartholomew.sophia@gmail.com
Web: http://sophiabartholomew.com

CV

Utdanning:
2020 – 2022 University of Guelph - Master i kunst
2009 – 2010 Beaux Arts de Paris - akademisk utveksling
2007 – 2012 University of British Columbia - Bachelor i kunst
2005 – 2006 Åsane Folkehøgskole - studier i musikk

Separatutstillinger og Prosjekter:
2027 - junk drawer - CAFKA biennial, Kitchener
2026 - house holding - Thunder Bay Art Gallery
2026 - The wind that lives everywhere - 24hr atm lotto, Toronto
2025 - The heart is not always a metaphor - Ministry of Casual Living, Victoria
2024 - a wind age, a wolf age - Ed Video Media Arts Centre, Guelph
2022 - ankle biter, bean counter, fender bender - Boarding House Gallery, Guelph
2016 - Future Fitness - Saltbox Festival, Corner Brook
2016 - bread and roses - FLOURISH Festival, Fredericton
2016 - bag body, body bag - Rencontre internationale d’art performance, Quebec City
2016 - The Friday Night Book Club of Collected Sights & Sounds - M:ST Performative Art, Calgary
2014 - going out of business like its going out of style - Third Space Gallery, Saint John
2014 - ULTIMATE WORKOUT - M:ST Performative Art, Calgary
2013 - window dressing - The New Gallery, Calgary
2013 - eple slang - window box gallery, Toronto
2012 - a version - TopDown BottomUp, Vancouver
2012 - you are here - The Crying Room, Vancouver

Utvalgte gruppeutstillinger:
2025 - CommonOpulence: wishcraft - Art Gallery of Grande Prairie
2025 - 155,578 - Art Gallery of Guelph
2024 - This dream pays for its space in my heart - Kitchener-Waterloo Art Gallery
2024 - repiecing - James Black Gallery, Vancouver
2022 - All Flourishing Is Mutual - Images Festival, Toronto
2022 - Loose Parts - Robert McLaughlin Gallery, Oshawa
2021 - Performance Drawing - C4RD, London, UK
2021 - grass taps - the plumb, Toronto
2019 - I could be writing about you, but I'm writing about me - FemmeWave, Calgary
2018 - Nose Knows / Notes of Care - Annaleonowens Gallery, Halifax
2018 - STALE BUNS - Field Contemporary, Vancouver
2017 - Limited Time Offer - Connexion artist-run centre, Fredericton
2016 - ERI 7 - Dalhousie Art Gallery, Halifax
2016 - Pumped - queer video curation screened at Künstlerhaus Bethanien, Kleiner Salon, Berlin
2015 - Frontier - avecez art space, Havana, Cuba
2014 - Somewheres - Confederation Centre Art Gallery, Charlottetown
2011 - an/aesthetic - Gam Gallery, Vancouver

«thread breath, earth hair» installed at the Kitchener-Waterloo Art Gallery, 2024. Weavings made from wild grasses and plants collected on the edges of farm fields, travelling the distance between my studio and my late partner’s grave. Photo: Toni Hafkenscheid
Detail from «The wind that lives everywhere» at 24hr atm lotto in Toronto, 2026. Ceramic beads, bookbinding thread, human hair, cat hair, used tarps, scrap wood, and polypro-satin ribbon. Photo: Stella McCaig
«dirt floor» and «A space for you inside my mouth» installed at the Art Gallery of Grande Prairie, 2025. Cardboard, covering the gallery floor, and pit-fired ceramic vessels. Photo: Blaine Campbell
«wood wove» installed at the plumb in Toronto, 2021. Scrap wood, scrap paper, plastic, plastic sheeting, and glass jars. Photo: Allison Postma